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Matt WeberMatt Weber shots his way through life.
Started out as a taxi driver and saw so many things on the streets that he kept saying "If only I had a camera…" A camera seemed like the only way to capture the crazy stuff which was happening almost every night.
Claims that the 70's were more interesting than the 80's, but in December 1984 bought a competitive camera, an AE-1 and a 50mm lens.
Started out in color film, but one year after he turned to b/w, because color was tricky to develop.
Thinks that failure is important, and that failing over 99% of the time and not giving up is something to be proud of. Takes "awful pictures on a daily basis and always will. There aren't too many other types of photography where that's the expected result."
Suffered from the photographic equivalent of "Writer's Block" for many years and it would be the crazy decision to spend most of my savings on a pair of M6′s and a few lenses that helped him to comeback. "The 28mm & 35mm lenses are the perfec

Aspect Ratio, Composition, Present and FuturePhotography is simply a technology that allows you to record a moment in time, in a box that simply captures a moment of light. Simple and basic as that, no myth there.
But the decision on how to capture that moment and its variables like composition, time and subject matter remain in the hands of photographer.
Let's talk about that box, how it affects composition, and the time we live in. Photographic technology has developed at a rapid pace. From the 19th century's cumbersome daguerreotypes to today's compact digital cameras, photography has become one of the most accessible art mediums, but more related to motion pictures that we might think, being at the same time influence and influenced by each other.
4:3 (1.33)
The original aspect ratio used by the motion picture was industry was 4:3, or ratio down to 1.33:1, or just 1.33. Theories why vary from from Euclid's famous Greek "Golden Section", a shape of approximately 1.6, to a shape that simply saved m

Ruth OrkinOrkin grew up in Hollywood where her mother was a silent-film actress and in 1939 she studied photojournalism. At the age of 10 she received her first camera, a 39 cent Univex, and two years later Orkin began to develop her photographs herself, and when she was eighteen she made national headlines when she rode a bicycle from Los Angeles to New York for the 1939 World's Fair. Of course she photographed along the way.
In 1943 she moved to New York and began working as a nightclub photographer

and shot baby pictures by day to buy her first professional camera.
She later became a successful freelance photographer, traveling all over the world and contributing to Life, Look, Ladies' Home Journal and other periodicals.
Orkin is best known for her naturalistic urban portrayals of Europeans and New Yorkers in the '40s, '50s and '60s, and for a series of photos she took from her New York City apartment with a view of Central Park (A World Through My Window, 1978 and More Pictures

Rui Palha - Head, Eye and HeartAs you know, I normally don't do (features) Journals.
The exception goes to those photographers that had some historical importance in the photography World, those that influence(d) me, those that I believe can move others like they moved me, humanitarian photographers, and that normally live in the "shadow" of the same old Features and references.
Today I have the pleasure and honor to bring you Rui Palha.
Talented photographer and a really good person.
There is little information about Rui Palha. We know that he was born in 1953, is Portuguese, lives in Lisbon, and considers himself an amateur. Well, if all amateurs photographed as Rui, the World would not need professionals.
Photography is his hobby since he was 14 years of age. Had his own darkroom, but preferred to "press the button" in the streets.
The sentence that defines his photography: "Photography is a very important part of my space… it is to discover, it is to capture giving flow to what the heart feels and sees i

Josef KoudelkaAs you know, I normally don't do (features) Journals.
The exception goes to those photographers that had some historical importance in the photography World, those that influence(d) me, those that I believe can move others like they moved me, humanitarian photographers, and that normally live in the "shadow" of the same old Features and references.
"The maximum, that is what has always interested me." This is a quote by Josef Koudelka.
He was born in 1938 in Moravia and began photographing with a 6 x 6 Bakelite camera.
He staged his first photographic exhibition in 1961. Changed to a Rolleiflex camera and in 1967 decided to give up his career in engineering for full-time work as a photographer.
Awarded several times, was known for his exceptional photographs, which required an enourmous amount of courage.
Nomad at heart, he wandered around Europe with his camera and little else. In 1987 Koudelka became a French citizen and his work received support and acknowledgment from his friend, "

Decisive Moment vs Moment to DecideHenri Cartier-Bresson defines "The Decisive Moment" as follows:
"There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative. Oop! The Moment! Once you miss it, it is gone forever."
However, Henri Cartier-Bresson didn't only take one single photograph when he saw a decisive moment ready to happen (David Hurn refers to this as a "pregnant moment") but rather took several images of the same scene.
That truth is reinforced by the fact that "Gare" is one of only two photographs I know of that Cartier-Bresson cropped. There was a fence off to the left, and he didn't have time to move to the right before it was time to shoot.
You can see the original, un-cropped version in his book, Henri Cartier Bresson: Scrapbook.
If you look carefully at the masters work like Cartier-Bresson, Elliott Erwitt, or

Saul Leiter - Vertical and AbstractAs you know, I normally don't do (features) Journals.
The exception goes to those photographers that had some historical importance in the photography World, those that influence(d) me, those that I believe can move others like they moved me, humanitarian photographers, and that normally live in the "shadow" of the same old Features and references.
This one is not the case, because I'm talking about Saul Leiter.
He was born in Pittsburgh, Pennsylvania, his father was a well known Talmud scholar and Saul studied to become a Rabbi. At age 23, he left theology school and moved to New York City to become an artist. He had developed an early interest in painting, like so many photographers. His mother gave him his first camera, a Detrola camera, when he was 12 years old.
He was soon taking black and white pictures with a 35 mm Leica, which he acquired by exchanging a few Eugene Smith (exceptional photographer from Life magazine, among others) prints for it. By 1948 he began to ex

Markus Hartel"What is street photography? A reflection of every day life – real, unaltered impressions of public places, places that everybody visits every day, the street where you live, the parking lot of your favorite grocery store, the subway. Street photographers document the truth – take candid pictures of things that you don't notice in your daily grind." - Markus Hartel
Born in Germany, grew up in a pretty rural area and soon developed his inclination towards photography with a rangefinder camera that his grandmother gave him. Went to New York City in 2003 and found it very inspirational, capturing life around him with his camera strap wrapped securely around his wrist, framing the camera from the hip.
Doesn't stick around in one place for a very long time, likes to keep moving, uses use a Leica M9 and prefers the 28mm Elmarit.
If he his (one of) the most talented and promising street photographer presently? I don't know.
Reminded by :iconPhotoColo:
Don't find excuses not to shot, cre

Margaret Bourke-WhiteAs you know, I normally don't do (features) Journals.
The exception goes to those photographers that had some historical importance in the photography World, those that influence(d) me, those that I believe can move others like they moved me, humanitarian photographers, and that normally live in the "shadow" of the same old Features and references.
Meet Margaret Bourke-White.
Margaret Bourke-White was born in the Bronx, New York, in June 1904.
She was an documentary photographer and a pioneer.
She is best known as the first Western photographer allowed into the Soviet Union (1930), the first female war correspondent, the first female permitted to work in combat zones, the first female photographer for Henry Luce's Life magazine, where her photograph appeared on the first cover, and the first female photographer of Fortune magazine.
In July 22, 1941, when the first bombs fell in Moscow, she was the only foreign photographer on site. It was the biggest scoop. For h

Larry TowellAs you know, I normally don't do (features) Journals.
The exception goes to those photographers that had some historical importance in the photography World, those that influence(d) me, those that I believe can move others like they moved me, humanitarian photographers, and that normally live in the "shadow" of the same old Features and references.
Larry Towell is a Canadian photographer who joined Magnum Photos in 1988 and became a full Member in 1993.
From 2008 to 2011, Towell traveled to Afghanistan five times, documenting in both photographs and videos the various social issues that plague its citizens, from drug addiction and poverty to the prevalence of landmines, many of which still remain from the Soviet occupation of the country during the 1980s.
His work has included documentation of the Palestinian-Israeli conflict, Mennonite migrant workers in Mexico, and a personal project on his family's farm in southern Ontario. He always works with traditional film, eschewing digital op

Street Photography: To Lo And Behold!Street Photography Quiz:
When was the last time a random passenger in a bus made your jaw drop?
Happens with me all the time!
Whenever I go out into the streets, I never plan on what I'm going to shoot, nor do I have a particular theme in mind.
Mind you, planning ahead is highly benefical to a Street Photographer or any photographer for that matter - a practice that almost always yeilds excellent results when properly utilized.
For me, it's just the sheer excitment of stepping into a vast concrete jungle, unsure about what's around the next corner, or perceiving an event that is about to unfold before you, the sound of your heart beating as you walk/run towards the developing scene - all the while hoping that you get there in time to take... that one shot, that ultimate payoff; is all that matters.
Sometimes you could be standing there observing a street scene when you begin to notice things falling into place; a photo opportunity forming right before your very eyes.
Beli

Rinzi RuizBack!... in Black.

Hopping you entered 2013 the best way possible, and wishing you all a Happy New Year, let's get down to pixels.
Today I bring you Rinzi Ruiz.
He is a Los Angeles based photographer who picked up a camera only 2 years ago (I can relate

) Known to find beauty in humanity and in capturing the emotion, the mundane, and the art in reality that is found everywhere, without ignoring the fact that he has a background in fine arts and graphic design (but photography is "much more fun and rewarding").
He is a phenomenal black & white street photographer, a light painter and a user of profound dark shadows and light reflections.
He is currently shooting with his first DSLR, a Nikon D90, and a Fujifilm X100 (because he got physically tired of carrying the bag), and shoots mostly at about F/5.6 to F/8.
Go check him out.
Note: Do you know what is "Chimping"? It's a syndrome, a bad addiction that runs in the digital photography community, and the ma

10 Types Of Street Photographers"Over the last few years, I have met or seen in action quite a few photographers. A lot of great and passionate people covering a wide range of styles, gear and personalities. Here is therefore an attempt to classify them in different types. This is evidently a satire, to be taken with humor, but I am sure you'll find a little bit of yourself in some of these types.
I) The Intellectual : Everything in a shot is about lines, metaphors, psychology, sociology, history … or you name it. No element in his pictures is ever the result of hazard since his swift eyes detected and interpreted every single detail before he triggered. Even the lousiest shot becomes the next Michelangelo after going through his everlasting rhetoric. Yet, most often, he is actually the only one to understand, and like his pictures.
II) The English Patient : Patience is his main virtue. A shot is as good as the time and effort it took to get it. He identifies carefully a setting, studies the light

Sebastião Salgado, a living legendAs any boy, I grew up absorving the World. And the World mesmerized me everytime my late dad would bring some journals or magazines where Sebastião Salgado's photos were featured.
I can´t hide the admiration I have for this photographer, this man that is still alive and living in Paris, and the way he changed my way of seeing the World, respecting my fellow man, seeing the light where only darkness seems to exist.
Sebastião Salgado was born on February 8th, 1944 in Aimorés, in the state of Minas Gerais, Brazil. Began his career as a professional photographer in 1973 in Paris, working with the photo agencies Sygma, Gamma, and Magnum Photos until 1994, when he and Lélia Wanick Salgado formed Amazonas images, an agency created exclusively for his work.
He is a UNICEF Goodwill Ambassador, and an honorary member of the Academy of Arts and Sciences in the United States.
Uses Leica, most of the time he uses 28mm, 35mm and 60mm lenses (one for each camera body). He use

Akash - The World in Full ColorAs you know, I normally don't do (features) Journals.
The exception goes to those photographers that had some historical importance in the photography World, those that influence(d) me, those that I believe can move others like they moved me, humanitarian photographers, and that normally live in the "shadow" of the same old Features and references.
"And Now for Something Completely Different". Monty Python's catch phrase never made more sense because today I bring you the full splendor of rgb, by Akash.
Akash, born in 1977, has received more than 60 international awards from all around the world and his work has been featured in over 50 major international publications including: National Geographic, Vogue, Time, Sunday Times, Newsweek, Geo, Stern,Der Spiegel, The Fader,Brand Ein, The Guardian, Marie Claire, Colors, The Economist, The New Internationalist, Kontinente, Amnesty Journal, Courier International, PDN, Die Zeit, Days Japan, Hello, and Sunday Telegraph of London. In 2002 he be

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Submitted: September 3, 2012

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Javier Acenillas - Fearless Humanitarian

Mon Sep 3, 2012, 8:06 AM

As you know, I normally don't do (features) Journals.
The exception goes to those photographers that had some historical importance in the photography World, those that influence(d) me, those that I believe can move others like they moved me, humanitarian photographers, and that normally live in the shadows of the same old Features and references.
So, today I bring you Javier Acenillas. He is a Spanish freelance photographer and a psychologist at the Complutense University of Madrid. He describes himself as a humanist, and develops humanitarian essays.
He has won a number of international prizes, including: The Arts Press Award, Kodak Young Photographer, European Social Fund Grant, Euro Press of Fujifilm, INJUVE, Foto Press Third Prize, Luis Valtueña of Médicos del Mundo, Journalism Doñana´s prize, Luis Ksado, Make History, UNICEF, World Photography of the Year, Fotoevidence, Finalist of the Leica Prize 2009 and Antropography 2010.
He is a member of Gea Photowords.
Still working on his last essay: Sicarios. The Sicario, or contract killer, is one of the most popular and respected professions in Latin America. Throughout Guatemala, Salvador and Mexico the quantity of Sicarios are frighteningly high despite the variability of compensation, with each assassination bringing in as little as €15 and as high as €10,000.
Javier focuses on humanitarian stories, having completed photographic essays on such topics as refugees in Bangladesh, Marijuana traffickers in Jamaica and rubbish dump settlements in Central America, carrying his Canon EOS 5D Mark II and two wide-angle Canon EF primes.
He has my respect.
Here are some examples of his work, which contains some elements of violence and might be disturbing for some viewers, even though I selected carefully.

Javier Acenillas can be found here[link]

41 Comments

Javier Acenillas - Fearless Humanitarianby *NunoCanha

Journals / Art News / Photography

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~splendidofsun Sep 25, 2012 Hobbyist Photographer

Yay, thank you Nuno

another photographer I can learn from (from? of? my brain is shrinking!)

*NunoCanha Sep 26, 2012 Hobbyist Photographer

To be inspired by

Nice to hear from you!

~splendidofsun Sep 26, 2012 Hobbyist Photographer

ah, that's the word!

Nice to be back here

*NunoCanha Sep 27, 2012 Hobbyist Photographer

Nice to have you back.

*JACAC Sep 12, 2012

*NunoCanha Sep 13, 2012 Hobbyist Photographer

*JACAC Sep 13, 2012

~firegirl27tx Sep 5, 2012

Awesome- so moving! Great Job, Nuno on the journal.... Javier is a breath of realistic air!

*NunoCanha Sep 7, 2012 Hobbyist Photographer

Indeed he is...

*Asfodelo Sep 4, 2012 Student General Artist

Great shots, it's amazing the way he shows reality, very strong images. I've never heard of him before, despite his quality and all the awards that he's got. I like this kind of work, very inspiring and helps people open their eyes, not everything is a Hollywood movie.
Great journal too! The only thing that keeps bothering me is the phrase "The Sicario, or contract killer, is one of the most popular and respected professions in Latin America". You know, I live in Latin America and I think I've only heard about sicarios like...once or twice and most people here don't even know what they are. If you meant countries like Mexico or countries in Central America you may actually be right, but otherwise people might get a wrong idea (not that we're in heaven, either, but we're not THAT bad!

)
Regards!

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