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Josef KoudelkaAs you know, I normally don't do (features) Journals.
The exception goes to those photographers that had some historical importance in the photography World, those that influence(d) me, those that I believe can move others like they moved me, humanitarian photographers, and that normally live in the "shadow" of the same old Features and references.
"The maximum, that is what has always interested me." This is a quote by Josef Koudelka.
He was born in 1938 in Moravia and began photographing with a 6 x 6 Bakelite camera.
He staged his first photographic exhibition in 1961. Changed to a Rolleiflex camera and in 1967 decided to give up his career in engineering for full-time work as a photographer.
Awarded several times, was known for his exceptional photographs, which required an enourmous amount of courage.
Nomad at heart, he wandered around Europe with his camera and little else. In 1987 Koudelka became a French citizen and his work received support and acknowledgment from his friend, "
The Panic Room (A Supernatural One-Shot)“Dean…? Dean?”
The name felt like lead on Sam’s tongue, so thick and heavy that he wasn’t sure if the syllable had actually made it past his lips.
The only reason he was aware of something cutting into his neck was the trail of red that was marking a small pathway against the stark fabric of his shirt. The dark suit and tie that usually accompanied the white-collared look were missing, but he couldn’t remember why.
His brother’s name seemed to drop soundlessly into the dark space before him. Everything felt heavy. Dull. Maybe he was dreaming.
But dreams shouldn’t smell of dust and abandonment. They shouldn’t be framed by cobwebs and wallpaper so aged that their floral design has faded into funeral bouquets. They shouldn’t have flickering candlelight and robed figures looking down on you.
No, dreams shouldn’t be like that.
But Winchesters don’t have dreams. They have nightmares. Sam smile
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